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Line of Duty



mejonaNO12 aka riskit

Well-known member
Dec 4, 2003
21,504
England
I think the ending worked brilliant.

Throughout the series you have detailed cover ups, interviews, in-depth dialog.

The last episode is 90% interviews which were magnificent but in the end, when Dot realised he could cover up no more, talk his way out of it no more, he did the last option any human has. BLOODY RUN. :lolol: The ultimate example of a man who has run out of ideas.

It was a brilliant contrast to the whole series preceeding it.
 




ROSM

Well-known member
Dec 26, 2005
6,240
Just far enough away from LDC
I agree with @mejona

Doesn't it show what a great series it is that despite it being a far fetched ending that you actually feel that there was a chance, just a chance that this could happen.

If 10 years ago someone had run a story about police cover ups, a paedophile ring protected by the establishment and famous people being involved, nobody would have taken it seriously but events prove it all was possible
 


Fungus

Well-known member
NSC Patron
May 21, 2004
7,049
Truro
I really enjoyed it but there is just no way that an anti-corruption copper would be able to make that shot, 70 (ish) yards at a laterally moving target in a vehicle with just an iron sight, and i said out loud "**** off" when she did it.

Other than that is was an enjoyable conclusion. I particularly loved the interview/interrogation between Fleming, Hastings and Dot.

However, i do think there could have been a lot of mileage in allowing Dot to evade justice for another series and have Arnott successfully framed as The Caddy, sentenced and jailed, before he is vindicated in season four á la Denton this season.

Also, up the Clarets :D

She did seem rather keen to finish off Dot and his minder, regardless of endangering the public and her orders not to engage them. It seemed as if they suddenly realised it was the last episode and they only had ten minutes to tie everything up, so they decided on a mad climax rather than using it as the basis of a whole new series.
 




ROSM

Well-known member
Dec 26, 2005
6,240
Just far enough away from LDC
She did seem rather keen to finish off Dot and his minder, regardless of endangering the public and her orders not to engage them. It seemed as if they suddenly realised it was the last episode and they only had ten minutes to tie everything up, so they decided on a mad climax rather than using it as the basis of a whole new series.

I think in previous series the bad guy doesn't always turn out to be that or that they seem to live to fight another day. In this series perhaps they tried to surprise by giving the visible baddie his just desserts

Doesn't mean there aren't still more twists out there

I mean Gill Bigelow is still around I assume
 




Prince Monolulu

Everything in Moderation
Oct 2, 2013
10,201
The Race Hill
Was this not to Gill then?

gill.JPG
 


Steve in Japan

Well-known member
NSC Patron
May 9, 2013
4,468
East of Eastbourne
Overall I enjoyed it a lot - it wound me up (in a good way) more than most TV dramas do, and the ending was gripping. The bad guys lose and wouldn't it be nice if that happened more often in real life?
 


drew

Drew
Oct 3, 2006
23,073
Burgess Hill
Thoroughly enjoyed the series however, thought her shot to take out the car at the end was extremely accurate and I did wonder why the getaway rendezvous was so far away!!!!
 




perseus

Broad Blue & White stripe
Jul 5, 2003
23,458
Sūþseaxna


pasty

A different kind of pasty
Jul 5, 2003
30,343
West, West, West Sussex
Loved it. The only thing I found a bit odd were the subtitles at the end saying what happened to each character, almost as if it were a "real life true story"
 


Petee

Well-known member
Nov 22, 2010
3,031
Brighton
Loved it. The only thing I found a bit odd were the subtitles at the end saying what happened to each character, almost as if it were a "real life true story"

They did this at the end of previous 2 series too. If you haven't yet seen them, they are well worth a watch. Both series are on Netflix currently.
 




It does help to explain why the general plot was crappy. I thought the first scene was OK and then decended into general crappiness and in the end ended up as drivel. I am not suprised an actor walked out of the set. I would have done the same.

As I said weeks ago, this wasn't a who-dun-it series. The details of the plot aren't important. It was all about how police corruption works and how the bad guys manage to function at the heart of the system.
 


perseus

Broad Blue & White stripe
Jul 5, 2003
23,458
Sūþseaxna
why I think accuracy in police drama is so important

As I said weeks ago, this wasn't a who-dun-it series. The details of the plot aren't important. It was all about how police corruption works and how the bad guys manage to function at the heart of the system.

A plot has to be a litle bit true to life. It wasn't.

“There’s artistic licence and then there’s pure misrepresentation.”

This explains it and saves me the trouble of writing it in my own words: http://www.theguardian.com/tv-and-radio/2016/apr/02/line-of-duty-bbc-police-kate-london

It only got seeming seriously ridiculous in the second episode for me. Things that did not seem to fit together, I thought woud become unravelled turned out just be just bad plotting. Done in a rush without checking if it held together.
 


BLOCK F

Well-known member
Feb 26, 2009
6,376
Just finished watching it on catch up telly.
Great series. Loved it, best thing on tv for ages.
Some posters on here are really picky.
 






drew

Drew
Oct 3, 2006
23,073
Burgess Hill
A plot has to be a litle bit true to life. It wasn't.

“There’s artistic licence and then there’s pure misrepresentation.”

This explains it and saves me the trouble of writing it in my own words: http://www.theguardian.com/tv-and-radio/2016/apr/02/line-of-duty-bbc-police-kate-london

It only got seeming seriously ridiculous in the second episode for me. Things that did not seem to fit together, I thought woud become unravelled turned out just be just bad plotting. Done in a rush without checking if it held together.

It's a drama for christ's sake. If you want reality then watch 24 hours in Police Custody!

As for the Guardian article, small wonder an ex copper is upset at a drama that is about Police corruption.
 


el punal

Well-known member
It's a drama for christ's sake. If you want reality then watch 24 hours in Police Custody!

As for the Guardian article, small wonder an ex copper is upset at a drama that is about Police corruption.

My Dad was a prisoner of war at Stalag Luft III during the World War II, from which of course the Great Escape took place. When the film was released in 1963 he and his ex P.O.W. chums were invited to the premiere at Leicester Square. He, and they, thought the film was the biggest load of bollocks going - inaccurate, unrealistic and a lot of it untruthful.

It didn't stop it from being one of the most popular films ever made though.
 


perseus

Broad Blue & White stripe
Jul 5, 2003
23,458
Sūþseaxna
You write social realism, not escapist drama, which means you’re not an apologist ?

My Dad was a prisoner of war at Stalag Luft III during the World War II, from which of course the Great Escape took place. When the film was released in 1963 he and his ex P.O.W. chums were invited to the premiere at Leicester Square. He, and they, thought the film was the biggest load of bollocks going - inaccurate, unrealistic and a lot of it untruthful.

It didn't stop it from being one of the most popular films ever made though.

I was thinking along the lines of Das Boot. That had the tension paced very well, and was panned by submariners but looked realistic to me (not knowing much about submarines).

Some things like the bolts looked dodgy in Das Boot, but I suspend disbelief in the story lines until it becomes quickly ridiculous like Line of Duty. Jed Mercurio pretends that is getting at the truth. Pretends that he is a social realist. A shit plot with sudden thrills (roller coaster of emotions if it affected you?) carried by the actors (casting was mostly OK). I'll not bother to watch the fourth series.

I was annoyed as the start got me hooked and I wanted to know how it panned out and how dramatic the bloodbath would be at the end.

Lots of good ideas that petered out as red herrings.
 






chaileyjem

#BarberIn
NSC Patron
Jun 27, 2012
13,946
I am not suprised an actor walked out of the set. I would have done the same.

Actually Daniel Mays, Adrian Dunbar, Craig Parkinson, Martin Compston, Vicky McClure have all said about this series that its one of the finest things they've ever worked on, and that Jed Mercurio is an incredible writer.
 


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